In this Handel News article from January 2016 Katie Hawks reacts to the reviews of Rinaldo at Glyndebourne with the newer production of Saul being even worse but still critically acclaimed.
Continue reading “Saul at Glyndebourne: A Contrary View”Handel’s Key Structures: Some Thoughts
In this Handel News article from October 2015 Katie Hawks responds to Graham Pont’s article noting that Handel seems to avoid the key of C major and that of C minor too and shares her thoughts about Handel’s key structures.
Continue reading “Handel’s Key Structures: Some Thoughts”