A
- Aci Galatea e Polifemo at the 2008 Festival
- A Day Trip to the Crystal Palace Handel Festival in 1877
- A Glimpse Behind the Scenes: Recording Handel
- A Handel Anecdote
- All Of Handel's Operas, In New York
- A musical Friendship
- A New Early Manuscript Source For Acis And Galatea
- A New Ode on the Death of Handel
- An interview with Alexander Chance
- An interview with Dame Sarah Connolly
- An Italian Harpsichord Website
- Anthem For The Funeral Of Queen Caroline
- Arias for Ballino
- Atalanta and Authenticity
B
- Bach and Handel: the Spider and the Bee?
- Book Review-Berta Joncus: Kitty Clive, or The Fair Songster (Boydell & Brewer, 2019, 541 pp.)
- Book Review - Jane Glover: Handel in London: The Making of a Genius
- Book review: Three Papers on Handel by Anthony Hicks
- Boys Will Be Girls: Castrati en Travesti
- Bringing Athalia Home: Handel and the Sheldonian Theatre, Oxford
- Burney vs Hawkins
C
E
G
H
- Halle 2014 - I
- Halle 2014 - II
- Handel's Connection With The Family Of The Duke Of Wellington
- Handel's Contribution to Music for the Flute in 18th-Century London: A New Appraisal
- Handel's Key Structures: Some Thoughts
- Handel's Music in Some Novels and in a Victorian Discussion
- Handel, Maestro al Cembalo
- Handel - Father and Son
- Handel Amongst The Germans
- Handel and Choral Societies
- Handel and C Major
- Handel and Crime Fiction: an Interview with Donna Leon
- Handel and Metastasio: the Bizarre Couple
- Handel and Psychic Musicology
- Handel and the Bells of Keynsham
- Handel and the Mercurial Art of Theatre Dance.
- Handel and the Montagu Family
- Handel and the Royal Cellist
- Handel Down Under: the First 50 Years
- Handel Down Under III: the Last 35 Years
- Handel Encounters Vivaldi
- Handel Fernando 6th April 2022 at The London Handel Festival
- Handeliens, Handelists and Handelorians
- Handel in 19th-Century Armagh
- Handel in America: A Personal Account - Part I: Genesis in Boston
- Handel in America: A Personal Account - Part II: From Boston to New York
- Handel in America: A Personal Account - Part III: America's Love Affair with Handel
- Handel in an Affair of Honour?
- Handel in Cambridge
- Handel in Japan
- Handel in Rome
- Handel In Rome, continued
- Handel on the Cross
- Handel on YouTube
- Handel Oratorios in the Bush Capital
- Handel Under Attack: Competition and Rivalry in the London Opera Seasons 1733-37
- Handel’s Adaptation of Congreve’s Libretto for Semele
- Handel’s Brockes Passion: a Unique Composition
- Handel’s Fairest Dalila
- Handel’s Management of his PR
- Handel’s man in Italy
- Happy Endings
- Holy Trinity Organ for the Handel Society
I
M
O
P
R
- Rare Copy of Handel’s Suite in G Minor Turns Up in Sydney – Twice!
- Reichardt’s Review of Handel Concerts in London
- Research into the Life of G.F. Handel's Father
- Returning the Compliment: How Often Did Telemann Borrow Musical Ideas from Handel?
- Review of Reviews: Rinaldo at Glyndebourne, August 2014
- Reviving CHOG as CHOC
- Richard Löwenherz: Telemann and Handel Compared
- Royal Acrimony and the Water Music
S
- Salmson's Statue of Handel in the Palais Garnier
- Saul at Glyndebourne: A Contrary View
- Scenting Handel
- Singing Handel, Then and Now
- Spreading the Love
- Staging Handel's Operas and Oratorios: Views of a Naïve Enthusiast
- Staging Handel: a Response to Ruth Smith and Brian Robins
- Staging Handel – Now… and Then
- Staging Handel’s Oratorios: Gain and Loss
- Susanna Cibber
T
- Taking Handel into Primary Schools
- The 1739 Acis and Galatea
- The Bubble Reputation: Virtue, Reason and Sexual Politics in Rodelinda
- The Cambridge Handel Opera Group: Some Retrospective Reflexions
- The First Handel Commemoration Concerts 1784
- The Fourth Voice
- The Ghostly Hand of Handel: Handel operas not by Handel
- The Greatest Dance Composer Of The Late Baroque
- The Göttingen Handel Festival: Brief History and Centenary Plans
- The progress from Keyboard virtuoso to Opera composer of Genius
- The Sound of Silence
- The Triumph of Virtue (or Trust me, I am a composer)
- Third Stanley Sadie Memorial Lecture
- Thoughts on Reviving Historical Action and Gesture
- Too Much Blood? Music and Mysticism in Handel’s Brockes Passion
- Tragic Voices in Tamerlano